Ich Onkel Dagobert 1 (Melzer) (Grade: 1+)

Ich Onkel Dagobert 1 (Melzer) (Grade: 1+)
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    Item No.: C-IOD1
    Country: Germany
    Publisher: Melzer
    Year: 1974
    Binding/Color: Hardcover
    Pages: 128
    Format: WxH 24,5x34,3cm (9.6x13.5″)
    Language: German
    Shipping weight: 915g (2.0pounds)


Products description

Reprints and German first publications of long Barks stories in the idiosyncratic translation by Renate and Peter Chotjewitz. Crude lettering (at least based on the original) by Hilla Krombach.
 
Published as identical editions by Melzer and Bertelsmann (1974/1986) with different covers. New edition with Erika Fuchs text Ehapa 1986.
 
Contents
  • Weihnachten auf dem Bärenberg. Carl Barks. Nov. 1947 ("Christmas on Bear Mountain"). 5&frac26; p.
  • Al Taliaferro / Bob Karp / Karl Karpé. Dec. 1941.
  • Al Taliaferro / Bob Karp / Karl Karpé. Nov. 1941.
  • Onkel Dagobert und das Schlossgespenst. [Illustration]. Giuseppe Perego. Oct. 1972 ("Zio Paperone e il segreto del Vecchio Castello"). 1 p.
  • Onkel Dagobert und das Schlossgespenst. Carl Barks. April 1948 ("The Old Castle's Secret"). 13⅚ p.
  • Onkel Dagobert und der goldene Mond. [Illustration]. Giuseppe Perego. Oct. 1972 ("Zio Paperone e la luna a 24 carati"). 1 p.
  • Onkel Dagobert und der goldene Mond. Carl Barks. Oct. 1958 ("The Twenty-four Carat Moon"). 6&frac46; p.
  • Onkel Dagobert und der Kampf ums Geld. [Illustration]. Giuseppe Perego. Oct. 1972 ("Zio Paperone e il campionato dei quattrini"). 1 p.
  • Onkel Dagobert und der Kampf ums Geld. Carl Barks. July 1959 ("The Money Champ"). 7&frac46; p.
  • Onkel Dagobert als Erdölriese. [Illustration]. Giuseppe Perego. Oct. 1972 ("Zio Paperone magnate del petrolio"). 1 p.
  • Onkel Dagobert als Erdölriese. Carl Barks. April 1960 ("Pipeline to Danger"). 5&frac46; p.
  • Onkel Dagobert und das goldene Boot. [Illustration]. Giuseppe Perego. Oct. 1972 ("Zio Paperone e la barca d'oro"). 1 p.
  • Onkel Dagobert und das goldene Boot. Carl Barks. June 1961 ("The Golden Nugget Boat"). 6&frac26; p.
  • Onkel Dagobert und die Hexe. [Illustration]. Giuseppe Perego. Oct. 1972 ("Zio Paperone e la fattucchiera"). 1 p.
  • Onkel Dagobert und die Hexe. Carl Barks. Sept. 1961 ("The Midas Touch"). 5&frac46; p.
  • Onkel Dagobert und Ali Babas Höhle. [Illustration]. Giuseppe Perego. Oct. 1972 ("Zio Paperone e la caverna di Alì Babà"). 1 p.
  • Onkel Dagobert und Ali Babas Höhle. Carl Barks. Dec. 1961 ("Cave of Ali Baba"). 5&frac26; p.
  • Onkel Dagobert und der Glastresor. [Illustration]. Giuseppe Perego. Oct. 1972 ("Zio Paperone e la cassaforte di cristallo"). 1 p.
  • Onkel Dagobert und der Glastresor. Carl Barks. March 1962 ("The Unsafe Safe"). 6&frac26; p.
  • Onkel Dagobert und die feinen Leute. [Illustration]. Giuseppe Perego. Oct. 1972 ("Zio Paperone snob di società"). 1 p.
  • Onkel Dagobert und die feinen Leute. Carl Barks. Dec. 1962 ("The Status Seeker"). 6&frac46; p.
  • Onkel Dagobert und sein unschlagbarer Geldspeicher. [Illustration]. Giuseppe Perego. Oct. 1972 ("Zio Paperone e l'inespugnabile deposito"). 1 p.
  • Onkel Dagobert und sein unschlagbarer Geldspeicher. Carl Barks. April 1963 ("For Old Dime's Sake"). 6 p.
  • Onkel Dagobert und die Mayakrone. [Illustration]. Giuseppe Perego. Oct. 1972 ("Zio Paperone e la corona dei Maya"). 1 p.
  • Onkel Dagobert und die Mayakrone. Carl Barks. June 1963 ("Crown of the Mayas"). 6⅚ p.
  • (US betrachtet Geldkranz). [Illustration]. Carl Barks. Oct. 1956. 1 p.
 
Antiquarian
    Condition: 1+ 

    Catalogue Prices (€): 20,00  4,00  2,00  


    OVP

    Original packaging (generally sealed). Internal condition cannot be checked for defects and completeness. Externally recognizable defects are listed.

    Condition 0 (mint MT)

    An exceptional example of a given book. Slightest bindery or printing defects are allowed. Cover is flat with no surface wear. Inks are bright with high reflectivity. Corners are cut square and sharp. Spine is tight and flat. No interior autographs or owner signatures.

    Condition 0-1 (near mint NM)

    Nearly perfect in every way with only minor imperfections that keep it from the next higher grade. Only subtle bindery or printing. Spine is tight and flat. Only the slightest interior tears are allowed.

    Condition 1 (very fine VF)

    An above-average copy that shows minor wear but is still relatively flat and clean with outstanding eye appeal. A small accumulation of minor bindery/printing defects is allowed. Minor cover wear beginning to show, possibly including minor creases. Corners may be blunted. Minor foxing. The slightest spine roll may be present, as well as a possible moderate color break. Slight rust migration. Minor interior tears at the margin may be present.

    Condition 1-2 (fine FN)

    An above-average copy that shows minor wear but is still relatively flat and clean with no significant creasing or other serious defects. Some accumulation of minor bindery/printing defects is allowed. Minor cover wear apparent, with minor to moderate creases. Blunted corners are more common, as is minor staining, soiling, discoloration, and/or foxing. A minor spine roll is allowed. There can also be a 1/4" spine split or severe color break. Staples may show minor discoloration. Minor staple tears and a few slight stress lines may be present, as well as minor rust migration. Paper is tan to brown and fairly supple with no signs of brittleness. Minor interior tears at the margin may be present. Centerfold may be loose.

    Condition 2 (very good/fine VG-FN)

    An above-average but well used comic book. An accumulation of bindery/printing defects is allowed. Minor to moderate cover wear apparent, with minor to moderate creases and/or dimples. Blunted corners are increasingly common, as is minor to moderate staining, discoloration, and/or foxing. A minor to moderate spine roll is allowed. A spine split of up to 1/2" may be present. Staples may show minor discoloration. Minor staple tears and minor stress lines may also be present, as well as minor rust migration. Paper is tan to brown with no signs of brittleness. Centerfold may be loose. Minor interior tears may also be present.

    Condition 2-3 (very good VG)

    The average used comic book. Cover shows moderate to significant wear, and may be loose but not completely detached. Cover reflectivity is low. Can have moderate creases or dimples. Corners may be blunted. Store stamps, name stamps, arrival dates, initials, etc. have no effect on this grade. Some discoloration, fading, foxing, and even minor soiling is allowed. Moderate spine roll may be present and/or a 1" spine split. Staples may be discolored. Minor to moderate staple tears and stress lines may be present, as well as some rust migration. Paper is brown but not brittle. Minor to moderate interior tears may be present. Centerfold may be loose or detached at one staple.

    Condition 3 (good GD)

    Shows substantial wear; often considered a "reading copy". Cover shows significant wear and may even be detached. Cover reflectivity is low and in some cases completely absent. Book-length creases and dimples may be present. Rounded corners are more common. Moderate soiling, staining, discoloration and foxing may be present. The largest piece allowed missing from the front or back cover is usually a 1/2" triangle or a 1/4" square. Spine roll is likely. May have up to a 2" spine split. Staples may be degraded, replaced or missing. Moderate staple tears and stress lines may be present, as well as rust migration. Paper is brown but not brittle. Centerfold may be loose or detached. Moderate interior tears may be present.

    Returns


    Reference: 1. Allgemeiner Deutscher Comic-Preiskatalog 2025

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